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Review: Jerry Saltz's 'How to Become an Artist' drives creativity
Nov 13, 2024
Palestine as a stage in Isabella Hammad's 'Enter Ghost'
Nov 06, 2024
'Smile 2': Where fame turns deadly, grins become nightmares
Nov 04, 2024
'Venom: The Last Dance' lacks impact, despite Hardy's charisma
Oct 29, 2024
Review: Tracing Trump's path – 'The Apprentice' offers a theory
Oct 24, 2024
'We Live in Time': Heartfelt exploration of love, mortality
Oct 22, 2024
Review: 'Lonely Planet' – A disappointingly Orientalist film
Oct 21, 2024
Pharrell's journey reimagined in Lego doc 'Piece by Piece'
Oct 14, 2024
Review: 'Folie a Deux' struggles with themes of identity, legacy
Oct 08, 2024
Review: Country home, dark secrets: 'Speak No Evil' unravels horror
Oct 02, 2024
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Review: Jerry Saltz's 'How to Become an Artist' drives creativity
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Orientalists of Washington: At the National Gallery of Art in DC
Palestine as a stage in Isabella Hammad's 'Enter Ghost'
Review: 'Lonely Planet' – A disappointingly Orientalist film
Turquerie: The Ottoman’s powerful influence over European culture
Let's laugh at the world: Bill Burr and how feminists failed women
Palestine as a stage in Isabella Hammad's 'Enter Ghost'
Review: 'Lonely Planet' – A disappointingly Orientalist film
On next-wave feminism: An installation by Nazlı Gürlek Hodder
A Brief History of Action: Renaissance of cinema's exciting genre
'Smile 2': Where fame turns deadly, grins become nightmares
Melancholia triumphs in Alex Christie-Miller's 'To the City'
Witches, zombies, vampires in Ottoman Empire
'Beef' starts with road rage that leads into a spiritual journey
Review: 'Lonely Planet' – A disappointingly Orientalist film
'We Live in Time': Heartfelt exploration of love, mortality
Let's laugh at the world: Bill Burr and how feminists failed women
Turquerie: The Ottoman’s powerful influence over European culture
A Brief History of Action: Renaissance of cinema's exciting genre
Orientalists of Washington: At the National Gallery of Art in DC
Witches, zombies, vampires in Ottoman Empire
To picture a child: ‘Double Portrait’ by Cemre Yeşil
Palestine as a stage in Isabella Hammad's 'Enter Ghost'
Review: Tracing Trump's path – 'The Apprentice' offers a theory
